Thank you to everyone who supported and attended my opening night on Tuesday the 9th of December. It was a huge success and I am so happy with the feedback I received. Looks like I better start preparing for a national tour and then a special showcase in Nicosia one day soon. The exhibition is on at Chapel off Chapel gallery in Prahran until the 20th of December and then again from the 5th – 11th of January. Onwards and Upwards.
This drawing of the famous rock (presumably, the birthplace of the Goddess Aphrodite) is based on an old photograph taken by Reno Wideson. I still need to touch up the foam and the waves and perhaps add a few more pebbles on the beach.
In this age of digital technology and the dreaded ‘selfie’ – the mystery, magic and wonder of photography may be all but lost. With the advent of ‘smart phones’ anybody can point and shoot and take countless happy snaps to record important milestones (or more often) – mundane moments in their life. Every waking moment can be captured on a tiny memory-card and unlike analogue technology such as negative film; the act of taking photos is instant and free. Through online sharing sites such as Instagram and Facebook – the proliferation of photos has reached epidemic proportions. Never before has mankind recorded or captured life on this planet on such a scale. Add Photoshop and now we can also manipulate, alter and correct every image we take. Today, we have unprecedented ways of taking photos however; rarely do these images end up printed in family albums or framed on a wall.
I too have been bitten by the digital shutterbug. I must have at least 20,000 photos of my family stored on computers and hard-drives. My intention has always been to print and showcase these images on the walls of my home and office. One day perhaps, I’ll get around to it.
I also teach photography to adolescents and young adults. Sadly, when my lesson starts to focus on the fundamentals of good photography such as, composition, lighting, depth of field, framing, viewpoint, exposure and focal point – most of my students let out a collective yawn and become disinterested. The art of photography, the technical know-how is somewhat lost on this ‘point-and-shoot’ generation. Just like the art of handwriting, many digital natives are ignoring the craftsmanship of yesteryear.
I have only one photo of my parents when they were young. Rarely have I encountered a Cypriot family that possesses more than one or two old photos from the past. That’s what makes my exhibition and art project so important. It’s more than just archiving these rare and precious photos. When you look at an old photo that was taken in the distant past, there is so much to admire and respect. It’s not just the tactile and aesthetic qualities of the paper itself. It’s the tonal qualities and the natural ageing and staining of the surface itself. You can’t help but admire the craftsmanship utilised by these past photographers at the time. There is an unmatched quality in terms of the way the photograph was taken and then developed. Each old photo in my collection is a remnant of pioneer technology and a snapshot of Cypriot life and culture. The people in the photos wear the clothing, fashion and styles of their period. For example, many of my distant uncles sported the toothbrush moustache before Adolf Hitler came along and killed off that style forever.
The youngest photographic portrait I have of my father was taken when he was about 28 years old. He looks like a proper gentleman. He looks wise, mature and well groomed. Not a piercing, tattoo or any other socially encourage blemish in sight. If my father was alive today he would grumble about all the trouble I was going to save or resurrect these old photos. “Stop all this fussing and running around” he would say. “They’re just old photos.” Perhaps it’s take a certain person with a certain eye to appreciate these gems.
My search to uncover and reproduce old photos from Cyprus has not been easy. There have been some obvious challenges and constraints. Many of the people I have interviewed for this project have declared that because they had to flee their homes after the Turkish invasion in 1974 all their precious photos were left behind. In other cases, the original photos were often taken by a sibling who decided not to share these photos with other family members. Some photos were lost or accidently destroyed or thrown away for no good reason. Many photos were damaged due to poor storage.
The most common reason, however, that old photos do not exist today is simply because 60 or more years ago, many people could not afford or simply could not foresee their importance at the time. There were very few photographers on the island of Cyprus and rarely did a member of the community possess a camera.
I look at my 8-year old son with his compact Nikon and he takes more photos in one day that my father took in his lifetime. Truly amazing.
And so my search for these hidden gems continues. I look forward to showcasing what I have found together with the stories behind the people in the photos in my end-of-year exhibition in December this year.
Until then… onwards and upwards!
Here is my third pencil drawing for my Tales of Cyprus Exhibition.
As you can see I am working of this vintage postcard. The photo was taken in the village of Panagia in Paphos. It took about 12 hours over three days to complete. Once again, I sacrificed sleep to get the job done.
Click on this link to see the process documented from start to finish.
My latest achievement. This one measures 25 x 38 cm and took roughly 10 hours to complete over three days. It’s based on a photo taken in the 1950s by Reno Wideson. I am happy with the overall result, especially the prickly pear in the foreground (these cactus figs are known as baboutsosyka or baboutsa is Cyprus). I am still using a hot-press watercolour paper and a range of pencils from light and hard (2H) all the way up to soft and dark (6B). The darker pencils provide a rough texture which is ideal for drawing foliage, rocks or stone work. The light and hard pencils provide a smooth even finish which is fine for the houses in the picture.